Tag Archives: Drafting

Breaking Points

If you’re a regular reader of this blog, you will know that I’ve spent the last few years working on a book about graduate writing. That process is now drawing to a close: Thriving as a Graduate Writer will be published in June! Between now and then, I’m going to use this space to share brief excerpts. In addition to my discussion of principles, strategies, and habits for effective academic writing, the book has short ‘asides’ that allowed me to engage with topics outside that main narrative. Over the next four months, I’ll share my favourites of those asides. As always, I’d love to hear what you think!

Book Cover showing title: Thriving as a Graduate Writer

Breaking Points

Managing paragraph breaks sometimes works easily. You find that each topic fits comfortably within a single paragraph, with obvious breaking points. Other times, however, inserting a paragraph break can feel awkward. Here’s a familiar scenario: a paragraph that is too long to be a single paragraph but that has too much unity to naturally become more than one paragraph. If you choose to stick with one paragraph, you would likely need to lessen the detail to emphasize the unity. A second option, one that frequently makes the most sense, would be to create more than one paragraph. But if the first paragraph sets up the topic, can you break up the exploration of that topic into two or more paragraphs? This question is one that I’m asked all the time! The answer is that you definitely can, provided you manage the opening of the subsequent paragraph—or paragraphs—effectively. The beginning of the next paragraph would need to announce how it acts as a continuation of the larger topic. By echoing the language used in the first topic sentence, you can alert the reader that you are offering a continuation of that topic in the new paragraph. Finding breaking points can be challenging, but as long as you offer the reader the topic sentences that they need, you have the option of spreading your ‘single topic’ over as many paragraphs as you want.


Thriving as a Graduate Writer will be available in early June from the University of Michigan Press. To pre-order your copy, visit the book page. Order online and save 30% with discount code UMS23!

Say Less or Say More

If you’re a regular reader of this blog, you will know that I’ve spent the last few years working on a book about graduate writing. That process is now drawing to a close: Thriving as a Graduate Writer will be published in June! Between now and then, I’m going to use this space to share brief excerpts. In addition to my discussion of principles, strategies, and habits for effective academic writing, the book has short ‘asides’ that allowed me to engage with topics outside that main narrative. Over the next four months, I’ll share my favourites of those asides. As always, I’d love to hear what you think!

Book Cover showing title: Thriving as a Graduate Writer

Say Less or Say More

Here’s a common scenario in a writing consultation:

Me: I think this word/phrase/sentence could perhaps be removed.

Writer: Absolutely not, that idea is crucial. 

Me: Okay … but as it’s presented here, it doesn’t seem important.

Writer: How could it be unimportant? This idea is essential to my whole project!

Me: But you haven’t taken the time to show that importance. If the reader does need to know, you’ll need to say more. 

This principle–say less or say more–can be helpful as you decide the level of detail required in your writing. When you confront a sentence that you’re unsure of, first ask yourself if all the detail is necessary. If you decide that everything must stay, then ask yourself a second question: Have you said enough about it? Given all the length restrictions at play in academic writing, writers often try to cram in too much without having the space to do it all justice. Because you yourself know that a detail is significant, you may decide to include it despite the fact that you can’t squeeze in an explanation of that significance. As a writer, you might feel better if you’ve included at least a mention of everything, but your reader might feel worse. Say less or say more.


Thriving as a Graduate Writer will be available in early June from the University of Michigan Press. To pre-order your copy, visit the book page. Order online and save 30% with discount code UMS23!

A For-Your-Eyes-Only Font

If you’re a regular reader of this blog, you will know that I’ve spent the last few years working on a book about graduate writing. That process is now drawing to a close: Thriving as a Graduate Writer will be published in June! Between now and then, I’m going to use this space to share brief excerpts. In addition to my discussion of principles, strategies, and habits for effective academic writing, the book has short ‘asides’ that allowed me to engage with topics outside that main narrative. Over the next four months, I’ll share my favourites of those asides. As always, I’d love to hear what you think!

Book Cover showing title: Thriving as a Graduate Writer

A For-Your-Eyes-Only Font

One strategy for managing the discomforts of exploratory writing is to choose a special font that is just for you: a for-your-eyes-only font. By designating a font as one that only you will ever see, you create more freedom in your composition process. Using your new font, you can expand on whatever you are thinking. The fact that you are writing in something other than your usual writing font will remind you that your eventual reader need never see these ruminations, thus lessening your own reticence. Rather than allowing problems to derail writing, you can use writing to confront the problems. Why aren’t you writing the next sentence? Because you’re worried you’re contradicting yourself? Because your supervisor is skeptical of this approach? Because you’re suddenly afraid that this topic is insufficiently novel? Because you’re worried that you lack the authority to frame this critique of existing work? Letting yourself write about your own writing hesitancy can facilitate resolution. The variant font isn’t strictly necessary, but it does give you a visual assurance that you are exploring your ideas—including your doubts and worries—in a safe space.


Thriving as a Graduate Writer will be available in early June from the University of Michigan Press. To pre-order your copy, visit the book page. Order online and save 30% with discount code UMS23!

Style Sheets

If you’re a regular reader of this blog, you will know that I’ve spent the last few years working on a book about graduate writing. That process is now drawing to a close: Thriving as a Graduate Writer will be published in June! Between now and then, I’m going to use this space to share brief excerpts. In addition to my discussion of principles, strategies, and habits for effective academic writing, the book has short ‘asides’ that allowed me to engage with topics outside that main narrative. Over the next four months, I’ll share my favourites of those asides. As always, I’d love to hear what you think!

Book Cover showing title: Thriving as a Graduate Writer

Style Sheets

As early in the drafting process as you can manage, I always recommend creating a document-specific style sheet. A style sheet is nothing more than a record of your decisions, created for the purpose of maximal consistency. The easiest way to create a style sheet is to pay attention to the decisions you make as you go along and then record them. You may have thought that a choice was obvious or that an issue was inconsequential; no matter, if you had to pause to make a writing-related decision, record it in your style sheet. This process will be different for each writer and each project. If you are writing a thesis, you may be working from a provided template that will mercifully cut down on formatting decisions. If you are using a citation manager, you may be spared too much worry about citation formatting. But you will still make a great many decisions as you write, so why not increase efficiency by making those decisions only once? One reason that we fail to take this simple step is that we imagine—at that moment of decision—that we will remember our decision. In fact, we often remember having decided without being able to remember what that decision actually was. Did you choose pre-modern, Premodern, or premodern? Do you use future or present tense for prospective signposting? Do you put the punctuation inside or outside the quotation marks? Do you indent the first line of a paragraph or add an additional space? At what point do you stop spelling out numbers and present them as numerals? Did your abbreviation include the plural, or will you make the abbreviation plural as needed? Are you using the serial comma? Do you know what terms in your field are capitalized or italicized? To answer some of these questions may require consulting resources—such as your disciplinary style guide—but you want to avoid checking those cumbersome resources repeatedly. Instead, once you have resolved an issue, put it in your style sheet. Your future self will thank you.


Thriving as a Graduate Writer will be available in early June from the University of Michigan Press. To pre-order your copy, visit the book page. Order online and save 30% with discount code UMS23!