One of the overarching themes of this blog is my faith in the power of writing as a way of clarifying what we are thinking. Just write. Let yourself write. Make yourself write. Nothing is set in stone. Try things out. Decide later if you want it. Writing alone will tell you whether something needed to be written. While I remain entirely committed to this notion, I think it is important to articulate the ways that this practice can be hard. After the great reaction to my last post on the inherent difficulties of academic writing, I thought it might make sense to devote some time to difficulties we are likely to encounter when trying to put common writing advice into practice. In this post, I’m going to talk about two ways that exploratory writing can be a source of discomfort.
In the first place, exploratory writing can be nerve-racking. Even if we tell ourselves that nothing is set in stone, we may still feel the weight of the chisel in our hands as we write. What if this isn’t what I need to say and what if I’m unable to change it later? ‘Write now, edit later’ may in fact be good advice, but we can still feel as though we are digging our own graves with every new word. At some point in the drafting process, most of us will lose faith in our own abilities as an editor. This feeling of dread requires delicate handling. Good writing rarely feels like good writing. So giving up on a direction in our text because we’ve decided it’s awful is a risky proposition. In general, I try to keep faith with my early drafts, forestalling my own anxiety with the recollection of all those times that I’ve been pleasantly surprised by a text that I thought was irredeemable. Of course, there are times when we need to cut our losses. I’ve talked about being willing to get rid of ‘perfectly good writing’ later through editing. But there may also be times when we need to pull the plug on the grounds that the incoherence feels unmanageable. A compromise option is to carry on while using a different font to signal to ourselves that we’re on thin ice. The simplest way of doing this is by using all caps, but a distinct colour or a fancy handwriting fonts (I like Segoe Script) can also work. The important thing is convince ourselves that we’re just spitballing. This lack of commitment can help us to overcome anxiety that might otherwise stop us from writing.
A second difficulty with exploratory writing can be the disorienting experience of returning to the text during editing. We may experience a kind of vertigo caused by a sudden uncertainty about what we actually want to say. Did we mean to say ‘A causes B’ or should it be ‘B causes A’? And how are such fundamental questions even possible? Shouldn’t we just know what we are trying to say? We naturally feel that the decision ought to be made on some bedrock of intention. Which is fine except that the unsaid is often still unknown, especially in the case of writing that is very abstract; the first draft is often the first opportunity to make a decision about meaning. We are rarely in the position of simply ‘writing down what we think’. Instead, we are putting words together in a way that then shapes meaning. Sometimes the editing process can show us—in a helpful way—what we’ve been trying to figure out in our heads. But other times it shows us puzzling statements that we may or may not be able to claim as our own. The demands of syntax or the limits of our ability to craft sentences can lead us to say things that we may not recognize. This experience can be alienating and can easily make ourselves doubt our own capacity as writers.
These two types of anxiety can both be traced back to a decision to use writing as a way of figuring out what needs to be said. To me, the other option—waiting to write until we know what we want to say—would be fine except that it doesn’t work for most people. Without the challenge of writing, most of us can’t articulate meaning. But if we are going to treat exploratory writing as an essential part of our process, we need to be aware of the anxiety it can produce, during both the writing and editing process. That anxiety, while unpleasant, isn’t a sign that things are going badly; on the contrary, the uncomfortable uncertainty of a first draft is often a sign that we are on our way to making the decisions necessary for a successful final draft.
This says what I needed to hear right now, thank you for posting it. I’m wallowing in writing uncertainty and reading this has helped to remind me to just keep going.
This is what real reassurance feels like. Thanks a ton for this post! Exactly my state of mind. I’m just going to go right ahead and start editing/restructuring my third draft again.
This is my first visit here and I’m so glad I found you. Writing has always been a challenge for me–and mostly for the very reasons you so keenly articulate above. I’m about to start writing my dissertation proposal and I’m a bit nervous that all the uncertainty of my message will delay the process. Fortunately my school has a wonderful staff at its writing center and I’m leaning on them heavily.
Thanks so much!
Thanks for reading, David. If you have any writing questions, don’t hesitate to ask! All the best with your proposal.
Thanks for this post which captures the importance of persisting despite discomfort over uncertainty. Thanks for writing about it and sharing some strategies too! Have you read Pema Chodron’s book _Comfortable with Uncertainty_? It is not a writing book, but this post brings it to mind. I always like reading your blog.
Thanks for reading and commenting, Jen. And for the book recommendation!
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This post was very helpful. TY