There are some questions that I can always count on during a session on graduate writing. Whether or not I had planned to deal with them, these are the topics that invariably come up. The top three perennial questions involve the desirability of the serial comma, the role of the first person in academic writing, and the ideal timing for writing an introduction. I talk about introductions a lot, and it sometimes feels as though the very word will cause someone’s hand to go up. The question will start—as so many do—with ‘I’ve heard that …’ or ‘My supervisor says that …’. Usually they’ve heard along the way that introductions are better written at the end of the writing process; that is, they’ve been led to believe that it is inefficient to write an introduction before knowing what the whole paper is going to say. This sentiment seems so wrongheaded to me that I’m always willing to stop whatever I’m doing to talk about it. Leaving aside whether efficiency is necessarily a good metric for efficacy in writing, I’m pretty sure that delaying introduction writing is actually a false efficiency.
My usual approach to this query is to say, ‘yes, you should write the intro first and, yes, you should write the intro last’. The second part of that formulation is obvious: no introduction is ever going to be adequate until it has been revised to reflect the work it is introducing. The first part is what I want to argue for here. The act of writing the introduction is so valuable that it ought to happen first. Why deny yourself the opportunity to encapsulate what the rest of the paper is going to be about? This early version of the introduction may be provisional, but not so provisional that it should exist only in your mind. Most of us can’t hold an entire introduction in our minds: we have to write it down. Imagining that we could leapfrog that conceptualization and move straight to the body of the paper seems to overlook something crucial about the writing process. When we use writing to clarify our thinking about the introduction, we are giving ourselves a much better chance to write the rest of the paper more effectively. It’s not about writing a good introduction at this stage: that will have to happen later. It’s about writing an introduction that will allow you to write a better paper (before looping back to fix the introduction). Ultimately, if writing the paper is harder without an early stab at the introduction, doing so may not be efficient. Writing the introduction first and last may sound inefficient but is actually a way of improving the overall writing process.
As I’ve been working on the introductory chapter to my book, I’ve been finding that writing an introduction at the outset may be a sound writing practice, but it is also both hard and somewhat terrifying. It’s hard because we are trying to introduce something that doesn’t exist; there’s a lot of guesswork, which is generally unsettling for a writer. It’s terrifying because it can feel deeply presumptuous to promise that you are going to do all the things you raise in an introduction. Even the simple phrase, ‘this book will have three sections’ was unsettling for me to write. How am I going to write a book with three whole sections? And are these even the right sections? The reviewers weren’t sure that they were, and, needless to say, the reviewers have set up camp in my brain where they can comfortably poke holes in all my ideas. I have to keep reminding myself that my plan for these three sections may or may not be exactly right. I can only find that out by giving them life on the page. And I’m only going to be able to give them that life if I formulate a plan. That is what the introduction does: it allows me to plan enough that I can dive in and find out if my conception makes sense.
So while I haven’t changed my answer to this question, I am happy to have been reminded of how psychologically gruelling it is to commit yourself to writing something when you still have no proof that you can in fact write the thing. That, of course, is so often the state of mind of a thesis writer who is writing something unprecedented in their own life. Since I can’t really remember how I felt when writing my own doctoral thesis introduction, I’m glad to be reintroduced to the vertiginous feeling of taking the leap of faith into a new writing project.
This post is the first in a series of book reflections posts. At least once a month, I’ll come here to talk about my progress and, more importantly, about my thoughts on the writing process. The progress reports are really just for me: I’m using the public nature of the blog to keep me accountable. The actual point of these posts will be what I’m learning about writing and how these insights connect to the topics covered here on the blog.
Status Update: In the spirit of public transparency about my book writing process, I’m going to conclude these book reflections posts with a status update. At some point, that update will include an assessment of whether I’m on track; at this point, however, it’s still too soon to make that estimation accurately. Until I have a more informed sense of how I’m going to write this book, I’m not creating a week-by-week schedule. That sort of honest accounting is crucial, but it’s too early in the process for me to do so. For now, I’m just reporting that I’ve written an eight-page introduction. As I hope this post has made clear, I’m unsure whether this introduction represents the book I’m actually going to write. What I am sure of are two things. One, this introduction represents the book that I’m now going to begin to write. Two, this introduction lays out a slightly different plan than the one I started with; in writing the introduction, I’ve seen new problems and possibilities, both of which have led to an updated chapter plan. I’ll let you know how it works out!
Thank you so. much, Rachel. This is just the right voice for my PhD mentees at GRIPS Tokyo. Looking forward to seeing your book! [No pressure though 🙂 ]